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Thursday, January 17, 2008

Frank Gehry: Nice building. Then what?

designThis TED conference video of architect Frank Gehry being interviewed by TED's founder, Richard Saul Wurman, was shot in 2002 in Monterey, but just released. Mr. Ghery speaks about his work from the time, and gives us insight into what is important to him, in a way that only a man of incredible talent, working at the pinnacle of his career may— with some lighter moments thrown in too. From the TED Web site: "Frank Gehry wanted to be a scientist when he grew up. But after blowing up a part of his house, at age 14, he decided against it. He's gone on to create some mind blowing buildings, including the Guggenheim at Bilbao and LA's Walt Disney Concert Hall. This wildly entertaining conversation...touches on many topics, including the power of failure, the importance of collaboration, and the need for architects to bring personal expression to the table."

about Frank Ghery

Frank Gehry is one of the world's most influential architects. His designs for the likes of the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA are bold statements that have imposed a new aesthetic of architecture on the world at large, enlivening streetscapes and creating new destinations. Gehry has extended his vision beyond brick-and-mortar too, collaborating with artists such as Claes Oldenberg and Richard Serra, and designing watches, teapots and a line of jewelry for Tiffany & Co.

Now in his 70s, Gehry refuses to slow down or compromise his fierce vision: He and his team at Gehry Partners are working on a $4 billion development of the Atlantic Yards in Brooklyn, and a spectacular Guggenheim museum in Abu Dhabi, United Arab Emirates, which interprets local architecture traditions into a language all his own. Incorporating local architectural motifs without simply paying lip service to Middle Eastern culture, the building bears all the hallmarks of a classic Gehry design.

"He has profoundly reordered the idea of constructed space among people who don't think about buildings for a living but who work in them, live in them— and pay for them."
TIME MAGAZINE

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